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VCMG - Ssss FLAC

VCMG - Ssss FLAC Performer: VCMG
Title: Ssss
Style: Techno
Label: Mute
# Cat: 9528-2
Released: 12 Mar 2012
Country: US
FLAC album: 2371 mb
MP3 album: 2506 mb
Rating: 4.7
Genre: Electronic

Tracklist

1Skip This Track5:40
2Aftermaths6:21
3Zaat6:28
4Recycle6:37
5Flux5:18
6Lowly5:27
7Spock5:40
8Single Blip5:47
9Windup Robot5:25
10Bendy Bass6:04

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CDSTUMM441, 5099995641928VCMG Ssss ‎(CD, Album)Mute, MuteCDSTUMM441, 5099995641928Europe2012
STUMM441, 5099995641911VCMG Ssss ‎(2xLP, Album, Ltd, RE, Ora)Mute, MuteSTUMM441, 5099995641911UK & Europe2018
STUMM441VCMG Ssss ‎(10xFile, MP3, Album, 320)MuteSTUMM441Europe2012
noneVCMG Ssss ‎(10xFile, AAC, Album)MutenoneEurope2012
CDSTUMM441, 5099995641928VCMG Ssss ‎(CD, Album, Unofficial, Jew)Mute , Mute CDSTUMM441, 5099995641928Russia2012

Credits

  • Art Direction, DesignMartin L. Gore, Paul A. Taylor, Vince Clarke
  • Illustration [Illustrations]Jan L. Trigg
  • Management [Martin L. Gore]Jonathan Kessler
  • Management [Vince Clarke]Michael Pagnotta
  • Mastered ByStefan Betke
  • Mixed ByTimothy "Q" Wiles
  • Photography ByTravis Shinn
  • Photography By [Vince Clarke Studio Photos]David Wade
  • Recorded By, EngineerSie Medway-Smith, Vince Clarke
  • Written-By, Producer, PresenterMartin L. Gore, Vince Clarke
  • Art Direction, DesignMartin L. Gore, Paul A. Taylor, Vince Clarke
  • IllustrationJan L. Trigg
  • Management [Martin L. Gore]Michael Pagnotta
  • Management [Vince Clarke]Jonathan Kessler
  • Mastered ByStefan Betke
  • Mixed ByTimothy "Q" Wiles
  • Photography ByTravis Shinn
  • Photography By [Vince Clarke studio photos]David Wade
  • ProducerMartin L. Gore, Vince Clarke
  • Recorded By, EngineerSie Medway-Smith, Vince Clarke
  • Written-ByMartin L. Gore, Vince Clarke

Notes

Packaged in a Jewel case with transparent tray.
Comes with 8-pages booklet.bi-fold cardboard sleeve includes an 8 page booklet of photos and credits.

Barcodes

  • Barcode: 7 24596 95282 5
  • Matrix / Runout: DIDX-795244 1 A01
  • Mastering SID Code: IFPI L328
  • Mould SID Code: IFPI 50D8
  • Barcode (Text & Scanned): 5099995641928
  • Matrix / Runout: 5099995641928
  • Label Code: LC27959
  • Rights Society: SDRM BIEM

Companies

  • Phonographic Copyright (p) – Musical Moments (Europe) Ltd.
  • Copyright (c) – Musical Moments (Europe) Ltd.
  • Phonographic Copyright (p) – Grabbing Hands Music Ltd.
  • Copyright (c) – Grabbing Hands Music Ltd.
  • Licensed To – Mute Artists LLC
  • Published By – Musical Moments
  • Published By – Sony/ATV Music Publishing Ltd.
  • Published By – EMI Music Publishing Ltd.
  • Recorded At – Electric Ladyboy
  • Engineered At – Electric Ladyboy
  • Recorded At – The Cabin
  • Engineered At – The Cabin
  • Mixed At – The Institute Of Gizmology
  • Mastered At – Scape Mastering
  • Glass Mastered At – Sony DADC – DIDX-795244
  • Published By – Musical Moments
  • Published By – Sony / ATV Music Publishing
  • Published By – EMI Music Publishing Ltd.
  • Licensed From – Grabbing Hands Music Ltd.
  • Phonographic Copyright (p) – Musical Moments (Europe) Ltd.
  • Phonographic Copyright (p) – Grabbing Hands Music Ltd.
  • Copyright (c) – Musical Moments (Europe) Ltd.
  • Copyright (c) – Grabbing Hands Music Ltd.
  • Licensed To – Mute Artists Ltd.
  • Recorded At – Electric Ladyboy
  • Recorded At – The Cabin
  • Mixed At – The Institute Of Gizmology
  • Mastered At – Scape Mastering
  • Manufactured By – KIVI

Video

Comments: (1)
Cesar
Oh the anticipation! Oh the disappointment!

When I heard that synth pop gods Vince Clarke and Martin Gore were uniting, or maybe reuniting, depending on your memory of the original Depeche Mode lineup, I was eager to hear what these two masters would produce. Would Clarke’s talent for catchy hooks and Gore’s talent for dark, yet alluring, melodies bring us the ultimate synth pop album that fans of Depeche Mode and Erasure have long been waiting for? Erm, no.

Instead this comes across as the noodling of two guys with synths. Rather than an album of songs, we have here a collection of instrumental noodling that, at worst, sounds like aimless sonic wanderings of interesting synth sounds and, at best, sonic wanderings of interesting synth sounds.

Still, when you’re in the mood for something instrumental, that you can play as background music while you’re doing something else, this might fit the bill.

Perhaps my hopes were too high?