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VCMG - Ssss FLAC

Vcmg Mute Techno 2012

Performer: VCMG
Title: Ssss
Style: Techno
Label: Mute
# Cat: 9528-2
Released: 12 Mar 2012
Country: US
FLAC album: 2371 mb
MP3 album: 2506 mb
Rating: 4.7
Genre: Electronic

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Tracklist

1	Skip This Track	5:40
2	Aftermaths	6:21
3	Zaat	6:28
4	Recycle	6:37
5	Flux	5:18
6	Lowly	5:27
7	Spock	5:40
8	Single Blip	5:47
9	Windup Robot	5:25
10	Bendy Bass	6:04

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CDSTUMM441, 5099995641928	VCMG	Ssss ‎(CD, Album)	Mute, Mute	CDSTUMM441, 5099995641928	Europe	2012
STUMM441, 5099995641911	VCMG	Ssss ‎(2xLP, Album, Ltd, RE, Ora)	Mute, Mute	STUMM441, 5099995641911	UK & Europe	2018
STUMM441	VCMG	Ssss ‎(10xFile, MP3, Album, 320)	Mute	STUMM441	Europe	2012
none	VCMG	Ssss ‎(10xFile, AAC, Album)	Mute	none	Europe	2012
CDSTUMM441, 5099995641928	VCMG	Ssss ‎(CD, Album, Unofficial, Jew)	Mute , Mute	CDSTUMM441, 5099995641928	Russia	2012

Credits

Art Direction, Design – Martin L. Gore, Paul A. Taylor, Vince Clarke
Illustration [Illustrations] – Jan L. Trigg
Management [Martin L. Gore] – Jonathan Kessler
Management [Vince Clarke] – Michael Pagnotta
Mastered By – Stefan Betke
Mixed By – Timothy "Q" Wiles
Photography By – Travis Shinn
Photography By [Vince Clarke Studio Photos] – David Wade
Recorded By, Engineer – Sie Medway-Smith, Vince Clarke
Written-By, Producer, Presenter – Martin L. Gore, Vince Clarke

Art Direction, Design – Martin L. Gore, Paul A. Taylor, Vince Clarke
Illustration – Jan L. Trigg
Management [Martin L. Gore] – Michael Pagnotta
Management [Vince Clarke] – Jonathan Kessler
Mastered By – Stefan Betke
Mixed By – Timothy "Q" Wiles
Photography By – Travis Shinn
Photography By [Vince Clarke studio photos] – David Wade
Producer – Martin L. Gore, Vince Clarke
Recorded By, Engineer – Sie Medway-Smith, Vince Clarke
Written-By – Martin L. Gore, Vince Clarke

Notes

Packaged in a Jewel case with transparent tray.
Comes with 8-pages booklet.bi-fold cardboard sleeve includes an 8 page booklet of photos and credits.

Barcodes

Barcode: 7 24596 95282 5
Matrix / Runout: DIDX-795244 1 A01
Mastering SID Code: IFPI L328
Mould SID Code: IFPI 50D8

Barcode (Text & Scanned): 5099995641928
Matrix / Runout: 5099995641928
Label Code: LC27959
Rights Society: SDRM BIEM

Companies

Phonographic Copyright (p) – Musical Moments (Europe) Ltd.
Copyright (c) – Musical Moments (Europe) Ltd.
Phonographic Copyright (p) – Grabbing Hands Music Ltd.
Copyright (c) – Grabbing Hands Music Ltd.
Licensed To – Mute Artists LLC
Published By – Musical Moments
Published By – Sony/ATV Music Publishing Ltd.
Published By – EMI Music Publishing Ltd.
Recorded At – Electric Ladyboy
Engineered At – Electric Ladyboy
Recorded At – The Cabin
Engineered At – The Cabin
Mixed At – The Institute Of Gizmology
Mastered At – Scape Mastering
Glass Mastered At – Sony DADC – DIDX-795244

Published By – Musical Moments
Published By – Sony / ATV Music Publishing
Published By – EMI Music Publishing Ltd.
Licensed From – Grabbing Hands Music Ltd.
Phonographic Copyright (p) – Musical Moments (Europe) Ltd.
Phonographic Copyright (p) – Grabbing Hands Music Ltd.
Copyright (c) – Musical Moments (Europe) Ltd.
Copyright (c) – Grabbing Hands Music Ltd.
Licensed To – Mute Artists Ltd.
Recorded At – Electric Ladyboy
Recorded At – The Cabin
Mixed At – The Institute Of Gizmology
Mastered At – Scape Mastering
Manufactured By – KIVI

Video

Comments: (1)

Cesar

Oh the anticipation! Oh the disappointment!

When I heard that synth pop gods Vince Clarke and Martin Gore were uniting, or maybe reuniting, depending on your memory of the original Depeche Mode lineup, I was eager to hear what these two masters would produce. Would Clarke’s talent for catchy hooks and Gore’s talent for dark, yet alluring, melodies bring us the ultimate synth pop album that fans of Depeche Mode and Erasure have long been waiting for? Erm, no.

Instead this comes across as the noodling of two guys with synths. Rather than an album of songs, we have here a collection of instrumental noodling that, at worst, sounds like aimless sonic wanderings of interesting synth sounds and, at best, sonic wanderings of interesting synth sounds.

Still, when you’re in the mood for something instrumental, that you can play as background music while you’re doing something else, this might fit the bill.

Perhaps my hopes were too high?

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